The Kid, Charlie Chaplin

In your mind, what is the central message of the film THE KID?

The Great Train Robbery...or Alternate Question

In The Great Train Robbery, there is no singular character--a protagonist--with which to identify. Within a few years, there would be one or more protagonists in most narrative films. In your opinion, do audiences need a main character (or a series of main characters) to identify with? Or is it possible to make a successful film without a clear set of main characters? You may keep your answer brief and use examples if you like.

or, Alternate Question:
In Goodfellas, what is the impact of the final sequence and the inserted shots of Joe Pesci firing his gun toward the camera? What do you think it means?

WEEK TWO: WHAT IF?

IF YOU WERE STRANDED ON A DESERTED ISLAND AND COULD ONLY HAVE ONE FILM WITH YOU (AND YOU PRESUMABLY HAD THE TECHNOLOGY TO VIEW THE FILM), WHAT WOULD IT BE AND WHY?